5 Feb 2015 Joachim Koester is a Danish conceptual artist born on 1962 in Copenhagen. Koester's films, photos, and installations reexamine and activate

The book includes contributions by Achille Mbembe, Boris Buden, Christine Ross, Édouard Glissant, Elvira Dyangani Ose, Joachim Koester,

Joachim Koester A Dark Sea of Awareness. Danish artist Joachim Koester discusses his acclaimed black-and-white film from 2009, which wordlessly investigates the legendary American author Carlos Castaneda’s idea that a certain set of exercises can help us “navigate the dark sea of awareness.” Research Portal. Find researchers, research outputs (e.g. publications), projects, infrastructures and units at Lund University Joachim Koester. Message from Andrée (still). 2005. 16mm film loop.

century has seen an increasing interest in spiritual matters within contemporary art. In a Danish context artists like e.g. Joachim Koester and Leif Holmstrand, Joachim Koester, Ann Lislegaard och Anna Rosenberg. Hans Ulrich Obrist, bl a curator Museé d'Art Moderne de la ville de Paris och Med fokus på konst från 2005 och framåt visade British Art Show 7: In the Days of the Dennis Oppenheim, Alexander & Susan Maris och Joachim Koester. Joachim Koester: The magic mirror of John Dee and other works Patrick Guns: Say no to contemporary art, together we can stop it, galleri The Aldrich Contemporary Art Museum, Ridgefield CT, USA, 2019. Edited by Christos M. Joachimedes.

Under ledning av professorerna Joachim Koester, Emily Wardill och Gertrud Sandqvist (även rektor för Andreas Kurtsson – Art and Musics

It was the origin of the tarantella, a medieval dance meant to cure its victims. For his film, Message from Andrée, Danish artist Joachim Koester photographed the negatives filled with black stains, scratches, and streaks of light; those often ignored by historians.

A selection of self-portraits that artist, ron produced over a seven year period of extreme turmoil and challenges. TALKS | ART IN THE CITY – Cian Oba Smith in

Through photography and video, he skews seemingly mundane situations and landscapes with editing, repetition, and shifts in color.

Joachim Koester (f.1962) i København og bor og arbejder i New York, USA. Koester har studeret på Det Kongelige Danske Kunstakademi fra 1987-93. Joachim Koester har bl.a. udstillet på Venedig Biennalen i 2005, Documenta 10 i Kassel i 1997, samt på gruppeudstillingen Psych-Out på Holstebro Kunstmuseum i 2011. Flash Art uses cookies strictly necessary for the proper functioning of the website, Joachim Koester “Bringing Something Back” at Bergen Kunsthall 2018. Joachim Koester’s contribution to the exhibition samples some of his previous video works that involve more or less familiar bodily gestures and movements. One of the established conventions of GIFs is that they often quote from body language with specific meaning: a gesture or movement is taken out of its original context and used to say something else in a different context. The Centre d’Art Contemporain Genève presents “The Place of Dead Roads”, a solo exhibition by Joachim Koester featuring a new video installation, coproduced by the Centre, and an extensive collection of photographic works undertaken between 2003 and 2012.
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Joachim Koester’s contribution to the exhibition samples some of his previous video works that involve more or less familiar bodily gestures and movements. One of the established conventions of GIFs is that they often quote from body language with specific meaning: a gesture or movement is taken out of its original context and used to say something else in a different context. The Centre d’Art Contemporain Genève presents “The Place of Dead Roads”, a solo exhibition by Joachim Koester featuring a new video installation, coproduced by the Centre, and an extensive collection of photographic works undertaken between 2003 and 2012.

For his film, Message from Andrée, Danish artist Joachim Koester photographed the negatives filled with black stains, scratches, and streaks of light; those often ignored by historians. The film evokes memories of the tragically optimistic explorers, the forces of time and severe weather conditions physically acting on the film, and the power of photography to reveal otherwise lost moments. One gets a sense of what this could look like from watching Joachim Koester’s videos and films, installed in multiple rooms at Greene Naftali Gallery. Titled “Body Electric,” the exhibition The Kant Walks by Joachim Koester.
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When Koester revisited them, 27 years later, many were the sites of boarded-up buildings, casualties of failed markets. As I listened to the descriptions and recognized the references, I found my mind looping around a spaghetti junction of academic and art-world lore, mixing with my own visualizations and physical sensations.

Joachim Koester (born 1962, Copenhagen, Denmark) lives in New York and Copenhagen.

“Joachim Koester – Institut d’art contemporain”, Artforum, April Issue, New York, p. 224 “Hetero Chronie”, L’officiel Art, Paris, pp. 98-107 ”Critical Nostalgia in the Art of Joachim Koester”, Paolo Magagnoli, Oxford Art Journal vol. 34 issue #1, pp. 97 – 121

The Kant Walks, 2003 - 2004 When Koester revisited them, 27 years later, many were the sites of boarded-up buildings, casualties of failed markets. As I listened to the descriptions and recognized the references, I found my mind looping around a spaghetti junction of academic and art-world lore, mixing with my own visualizations and physical sensations. Joachim Koester’s oeuvre can be described as a stroll through unknown territories, both geographical and mental. The exhibition Altered States brings work together that investigate these borderlands. An ‘altered state of consciousness’ refers to a temporary change in the mental state. L’Institut d’art contemporain a invité Joachim Koester à réaliser sa première exposition monographique d’ampleur, Of Spirits and Empty Spaces (10 décembre 2011 - 19 février 2012). Joachim Koester a participé à la documenta 10 de Cassel (1997) et à la Biennale de Venise (2005).

JOACHIM KOESTER, C-print på aluminium, signerad, numrerad och daterad a tergo 3/5 + 1 AP 1996. Utropspris. 8 000 SEK. Bukowskis – Arts & business.